Framing the City: Photography, Architecture, and Social Media in Southeast Asia

Type

Single Panel

Schedule

Session 10
Thu 10:00-11:30 Classroom NT-104

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Abstract

Across Southeast Asia, cities are transforming architecturally, economically, and visually at a breathtaking pace. From the photogenic façades of Singapore’s Jewel Changi Airport to the dense, self-built neighborhoods of Bangkok’s informal settlements, the built environment has become a key site where visual, social, and spatial negotiations unfold. This panel examines how photography and social media reshape the ways Southeast Asian urban spaces are framed, imagined, and consumed.
We propose that the city in the digital age is no longer only built but continuously mediated, performed, and circulated as an image. Through photography and social media, architecture becomes a subject, a backdrop, and a medium for urban storytelling. The built environment provides a designed form that structures urban experience and mediates the visual and spatial engagements with the city.
The everyday practices of photographing, posting, and tagging transform buildings and public spaces into networked sites of visibility, producing new hierarchies of attention that both democratize and discipline access to representation. In this process, architectural form and urban life are reconstituted as aesthetic and affective experiences designed for visual consumption.
The panel brings together scholars from architecture, visual studies, and media anthropology to explore the intersection of visuality, technology, and spatial politics. Case studies from cities such as Bangkok, Manila, Ho Chi Minh City, and Singapore reveal how local actors, like architects, photographers, influencers, and citizens, use (digital) imagery to claim, contest, and reimagine the urban space.
By situating Southeast Asian visual urbanisms within postcolonial and global frameworks, the panel contributes to ongoing debates on digital urbanism, affective labor, and the politics of representation. It asks how the networked city is constructed and framed not only through planning and design but also through the millions of images that circulate daily. These images blur the boundaries between the architectural, the social, and the digital.

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