BEGIN:VCALENDAR VERSION:2.0 PRODID:-//EuroSEAS 2026//EN X-WR-CALNAME:EuroSEAS 2026 BEGIN:VTIMEZONE TZID:Europe/Madrid X-LIC-LOCATION:Europe/Madrid BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 DTSTART:19700329T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=-1SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 DTSTART:19701025T030000 RRULE:FREQ=YEARLY;BYMONTH=10;BYDAY=-1SU END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTAMP:20260604T070100 UID:euroseas-2026-embodied-devotion-and-gendered-labor-ritual-healing-and-the-arts-in-thai-buddhism-and-beliefs SUMMARY:Embodied Devotion and Gendered Labor: Ritual, Healing, and the Arts in Thai Buddhism and Beliefs LOCATION:Sala J. J. Linz DESCRIPTION:This panel explores how Buddhist ritual, gendered labor, and ar tistic practice converge in Southeast Asia’s living religious landscapes. F ocusing on Thailand’s northern and southern regions, the papers examine how lay practitioners, healers, monks, and women’s communities perform the sac red through bodily discipline, craft, and affective devotion — transforming everyday work into ritual art. Drawing on ethnographic and historical appr oaches, the panel highlights how ritual action materializes Buddhist virtue , how women’s devotional labor sustains community merit-making, and how tra ditional healing arts are reframed as cultural heritage in contemporary Tha iland.\n\nThe discussion is grounded in three complementary theoretical per spectives: Judith Butler’s concept of performativity, Stanley Tambiah’s per formative approach to ritual, and Pierre Bourdieu’s theory of cultural capi tal. Following Butler (Gender Trouble, 1990; Bodies That Matter, 1993), gen der is understood not as a stable identity but as a process enacted through repeated bodily and ritual acts. In the Laak Phra festival of Nakhon Si Th ammarat, the naming of Buddha images as female (Phra Mae) and women’s colle ctive labor in making ritual sweets constitute performative acts that repro duce and reconfigure gendered piety within a communal frame. Many of these women explicitly state that they make sweets because they are women, reveal ing gender not as an imposed role but as a felt moral habitus in Bourdieu’s sense — an embodied disposition shaped by Buddhist notions of merit and ca re.\n\nIn Tambiah’s terms (A Performative Approach to Ritual, 1979; The Bud dhist Saints of the Forest, 1984), such gestures — mixing, molding, and off ering — are performative actions that make merit real, producing both spiri tual efficacy and communal solidarity. Through Bourdieu’s framework (Outlin e of a Theory of Practice, 1977; Distinction, 1979), gendered ritual labor and embodied skill also generate symbolic and cultural capital: women’s com petence becomes a source of moral prestige, while in northern Thailand the disciplined bodily gestures of Lanna massage practitioners ritualize healin g and transform technical mastery into institutional legitimacy and heritag e capital. Together, these frameworks reveal how gendered performance, ritu al efficacy, and embodied knowledge intersect to produce new hierarchies of sacred authority and cultural value in Buddhist Southeast Asia. URL:https://euroseas2026.org/panels/embodied-devotion-and-gendered-labor-ritual-healing-and-the-arts-in-thai-buddhism-and-beliefs DTSTART;TZID=Europe/Madrid:20260902T120000 DTEND;TZID=Europe/Madrid:20260902T133000 END:VEVENT END:VCALENDAR